These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" Fleda, at this, felt that her heroism had come to its real test—felt that in telling him the truth she should effectively raise a hand to push his impediment out of the way. Was the knowledge that such a motion would probably dispose forever of Mona capable of yielding to the conception of still giving her every chance she was entitled to? That conception was heroic, but at the same moment it reminded Fleda of the place it had held in her plan, she was also reminded of the not less urgent claim of the truth. Ah, the truth—there was a limit to the impunity with which one could juggle with it! Wasn't what she had most to remember the fact that Owen had a right to his property and that he had also her vow to stand by him in the effort to recover it? How did she stand by him if she hid from him the single way to recover it of which she was quite sure? For an instant that seemed to her the fullest of her life she debated. "Yes," she said at last, "if your marriage is really abandoned, she will give up everything she has taken."!

"And did you think your mother would see you?" "If he went," Fleda asked, "doesn't that exactly prove that he recognized one?"

A week later Owen Gereth came down to inform his mother that he had settled with Mona Brigstock; but it was not at all a joy to Fleda, conscious how much to himself it would be a surprise, that he should find her still in the house. That dreadful scene before breakfast had made her position false and odious; it had been followed, after they were left alone, by a scene of her own making with her extravagant friend. She notified Mrs. Gereth of her instant departure: she couldn't possibly remain after being offered to Owen, that way, before her very face, as his mother's candidate for the honor of his hand. That was all he could have seen in such an outbreak and in the indecency of her standing there to enjoy it. Fleda had on the prior occasion dashed out of the room by the shortest course and in her confusion had fallen upon Mona in the garden. She had taken an aimless turn with her, and they had had some talk, rendered at first difficult and almost disagreeable by Mona's apparent suspicion that she had been sent out to spy, as Mrs. Gereth had tried to spy, into her opinions. Fleda was sagacious enough to treat these opinions as a mystery almost awful; which had an effect so much more than reassuring that at the end of five minutes the young lady from Waterbath suddenly and perversely said: "Why has she never had a winter garden thrown out? If ever I have a place of my own I mean to have one." Fleda, dismayed, could see the thing—something glazed and piped, on iron pillars, with untidy plants and cane sofas; a shiny excrescence on the noble face of Poynton. She remembered at Waterbath a conservatory where she had caught a bad cold in the company of a stuffed cockatoo fastened to a tropical bough and a waterless fountain composed of shells stuck into some hardened paste. She asked Mona if her idea would be to make something like this conservatory; to which Mona replied: "Oh no, much finer; we haven't got a winter garden at Waterbath." Fleda wondered if she meant to convey that it was the only grandeur they lacked, and in a moment Mona went on: "But we have got a billiard-room—that I will say for us!" There was no billiard-room at Poynton, but there would evidently be one, and it would have, hung on its walls, framed at the "Stores," caricature-portraits of celebrities, taken from a "society-paper." Mrs. Gereth took her up with a cold smile that seemed the warning of experience against hyperbole. "As long as what, please?" "Distinctly with the threat of enforcement—what would be called, I suppose, coercion."